An activist organization has stated to have scraped millions of tracks from the popular streaming service and is getting ready to release them publicly.
Possible Boost for AI Training
Observers said the apparent data breach could aid AI companies searching for material to train their technology.
An entity called Anna’s Archive said it had scraped 86 million music files from Spotify and 256 million rows of associated data such as performer and album names. The company, which carries more than 100 million tracks, stated that the breach did not represent its full inventory.
“We have located and disabled the malicious user accounts that engaged in unlawful scraping,” stated a Spotify spokesperson.
The Stockholm-based company, which has more than 700 million subscribers worldwide, added that an investigation into unauthorized access identified a third party collected public metadata and used questionable tactics to bypass DRM protections.
Archive's Stated Mission and Concerns
The streaming service does not believe the audio acquired by Anna’s Archive has been released yet. Anna’s Archive, which is recognized for offering links to pirated books, wrote in a blog it wanted to create a ‘historical repository’ for music.
They claimed the music files represented 99.6% of all music listened to by Spotify users and would be distributed via ‘torrents’, a means of sharing large data files online.
“Of course Spotify doesn’t have all the music in the world, but it’s a fantastic beginning,” commented Anna’s Archive, which frames its purpose as “preserving humanity’s information and culture”.
Model Development and Intellectual Property Battleground
A composer and campaigner for protecting artists’ copyright, remarked the leaked music would likely be used for training artificial intelligence systems.
“Educating models on illegally sourced data is sadly common in the tech sector, so this accessed music is almost certain to be used instructing AI models,” he said.
The group's website alludes to LibGen, a huge online archive of pirated books that has reportedly been used by the parent company of Facebook to train its AI models.
The co-founder of an artificial intelligence company posted on LinkedIn that individuals of the public could in theory “build their own private free equivalent of the service”. He added it could also allow technology firms to “educate models on contemporary music at scale”.
Copyright has emerged as a key issue between artists, writers and creatives on one side and tech giants on the other.
Government Considerations and Reactions
In the UK, artists and writers have protested against a government suggestion to allow AI companies use protected work without permission unless the rights holder opts out. Almost every participant to a government consultation on the idea has supported artists’ concerns.
The secretary of state for technology, innovation and development informed parliament this month there was “little consensus” on the issue, adding that ministers would “use the time to get this correct”. The administration has pledged to make regulatory plans on AI and copyright by next year.